The illustrations were beautiful, the color was well shaded and the designs and realism (as far as anime and manga goes - and really, I don't want it to go any further. I love these style, that's why I'm reading manga and not words) of the images were good quality.

Often times, with colored mangas, the saturation will change or the image will blur - the image quality remained pretty constant here, that helped with comprehension of the story through both sights and the speech.

The storyline fit pretty well, however the actual scenes with 'Snipper' were lessened later in the story. Which is unfortunate, as the "assassin sniper" was one of the most exciting traits of Joachim. Nevertheless, the story was satisfactory in the end.

The translations were well made, placed, and accurate - the grammar made sense all time through. Which, with many long mangas, you don't see. This may be one of the story's best qualities, (In my opinion).

The characters were good, and I personally liked Juergen's actions of possessive quality traits.  That is just my preference. There were many sexual scenes, which isn't bad,  but there were less "fluff" scenes to show the love and devotion between the two. It was blatantly obvious the two were in love, the viewers know this because we can see the thoughts and private speeches - it took a little longer for the characters to find out, themselves, though.

The ending did feel a bit rushed, and Joachim did have a sudden change of choice - with little reason (in the moment) to decide differently, which only brought him a fight with a large reptile. But the ending was fairly well-done, so everything was alright.

Jurgern's thoughts throughout the entire story were shown in the epilogue, a unique thing in the manga world - that is a good quality of the story.

For what the story lacked in some qualities, it made up for in others - this will be one of the pieces that I'm sure will be enjoyed by many. Thank you muchly Authors, Translators, and Illustrators, for making this story.

This story was incredibly well written, the drama, events, and characters all fit in well.

The beginning and rising part of the story was planned out quite well - the casual cliché (that I never grow tired of) "Abused one is saved for the use of another - later develops to genuine feelings" entry.

The authors used a good plot for that - the storyline never faltered.

The background information on Ian was shortly expressed, nevertheless, it spread across the message nearly flawless (in my opinion). Given only a handful of panels were used.

Sir Raymond's background information was a little more spread out throughout the story, it was a heavy factor that added up to his person. It explained his determination and resolve to achieve his goal, it was clear how his view wavered when beloved Ian came into play.

All of the character's personalities fit into the story very well. Personally, I was a little (quite) upset when Ian's condition had gotten so dire right before his kidnapping, and the fact he chose not to return to the manor with Sir Raymond -however the following events tied all loose ends, and the entirety of the story was wholesome.

Sir Raymond made connections with nobles and aristocrats through expected means, all part of their "society" and "sophistication" - it did anger me, (My preference is faithfulness and dedication, Sir Raymond's actions tested Ian - I loved Ian's loyalty).

When the story began, I NEVER imagined an important figure of royalty would come into play as she did, it added drama and suspense to the plot - it was well put together, not overdone nor lacking. It might have popped a blood vessel, though.

Another incredible contributing factor was Ian's art and painting - many stories emphasize on a key trait of one of the characters (usually the uke) that had been a major relation to the whole purpose of the seme's involvement. Many stories, however, sometimes loose sight of it, or the subject becomes absent until it is convienent to use.

Not here. Ian's painting was constant throughout the story, and continued to play a major role, that is - in my opinion - one of this story's best qualities. Along with the art style of the art, and the art of the characters itself - it was constant and very detailed. (Especially for the Victorian era, very well drawn - I've hardly seen another artwork like this)

The epilogues (especially the last one) finished the story well, with satisfaction to finish the line - that, for me, is what made it take so long to want to reread it (because the story felt so finished).

Truly one of the greatest pieces I've ever read, and I thank all the authors, illustrators, and and translators involved.

The relationship displayed seemed to be going - in a way - at an accelerated pace, yet the story in the whole picture made the relationship take a little bit slower to progress (Which I personally thought was better - I like slow burns).

Unlike other stories that follow the 'using of the partner for benefit' cliché with a 'I feel so betrayed and will cut this person out of my life - only to either be drawn to them or them chasing the uke out of regret' cliché , Jo Yul's loyalty to Luan did not waver - I don't think. The part where he was like, "Wait..." was more his curiosity (in my opinion).

The images were of substantial quality, and the color was well fit into the scenes, (I had thought - to myself - as I read, "The pictures look like they went from colored pencils to colored markers. The design saturation was likely what had changed at time), I thought that was one of the key factors that contributed to making the images so good.

Overall, the story was wholesome and figured together well - however, I did notice that the detail of Yul's singing was not as focused on. Mostly when it was convenient to mention, (but after Yul was given the private studio, the singing was brought up more often)

I very much liked this story, (and will likely reread it later). I thank all Authors illustrators, and translators involved in making this peice.